On Robert Zemeckis’ HERE project, I worked as an environment artist on about thirty sets, most of which were nearly identical. The main challenge was to incorporate subtle variations: the same locations shown across different time periods. I had to adjust elements like the season, a mailbox, or the type of car parked in the driveway. While the work was quite repetitive, it was also interesting to focus on these fine details and ensure visual continuity. This project helped sharpen my eye for subtle environmental storytelling and consistency.